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^{Wladimir Schohin, Stiliebern, 1910; from Feast for the Eyes (Aperture, 2017). Courtesy Amat?rfotorgrafklubben i Helsingfors rf, Finland}

和烹飪這門(mén)藝術(shù)一樣，攝影的風(fēng)格和趨勢(shì)也在一直更新演變中，從當(dāng)年流行的精食變成了現(xiàn)在新潮餐廳。光圈基金會(huì)（Aperture Foundation）新出的這本攝影術(shù)將廣告和藝術(shù)結(jié)合，記載了從1900年到當(dāng)代的食物攝影演變歷史，絕對(duì)是一場(chǎng)視覺(jué)與味覺(jué)的盛宴。

閃亮蘇珊（Susan Bright）是攝影書(shū)《眼睛的盛宴》（Feast for the Eyes）的作者，在書(shū)中用一系列讓人垂涎不止的圖像給觀眾從食物攝影這一運(yùn)動(dòng)的起源講起，覆蓋了食物攝影（food porn）這一產(chǎn)業(yè)的各種變遷演變。

^{Victor Keppler, [General Mills advertising campaign–Apple Pyequick], 1947; from Feast for the Eyes (Aperture, 2017)}

至于食物攝影的美學(xué)價(jià)值，蘇珊覺(jué)得，“食物攝影從來(lái)不只是吃的，它本身就是自成體系的一種攝影美學(xué)?！?食物的美，通過(guò)攝影這種藝術(shù)媒介，被體現(xiàn)得淋漓盡致。

“食物不僅是支持生命運(yùn)轉(zhuǎn)的必需品，它還是生命之光?！?蘇珊繼續(xù)解釋道，“不同的食物攝影，意味著不同文化、希望、絕望甚至奢侈。最終，食物的意義不再僅限于它的味道本身，而是人們向往的生活方式與生活本身的 ‘味道’?！?/p>

^{Russell Lee, Serving Pinto Beans at the Pie Town, New Mexico Fair barbeque, 1940; from Feast for the Eyes (Aperture, 2017). Courtesy The Library of Congress Prints and Photographs Division}

^{Sandy Skoglund, Peas On A Plate, 1978; from Feast for the Eyes (Aperture, 2017). ? 1978 Sandy Skoglund}

^{Nickolas Murray, Lemonade and Fruit Salad, McCall's magazine, ca. 1943; from Feast for the Eyes (Aperture, 2017). ? Nickolas Murray Photo Archives, Courtesy George Eastman Museum, gifts of Mrs. Nickolas Murray}

^{Stephen Shore, Trails End Restaurant Kanab, Utah, August 10, 1973; from Feast for the Eyes (Aperture, 2017). ? Stephen Stone, Courtesy 303 Gallery, New York}

^{Nickolas Murray, Food Spread, Daffodils, McCall's magazine, ca. 1946; from Feast for the Eyes (Aperture, 2017). ? Nickolas Murray Photo Archives, Courtesy George Eastman Museum, gift of Mrs. Nickolas Murray}

^{Rinko Kawauchi, Untitled 2001, from the series Utatane; from Feast for the Eyes (Aperture, 2017). ? Rinko Kawauchi}

^{Martin Parr, Untitled (Hot Dog Stand), 1983–85; from Feast for the Eyes (Aperture, 2017). ? Martin Parr/ Magnum Photos}

^{Martin Parr, Pink Pig Cakes, 2002; from Feast for the Eyes (Aperture, 2017). ? Martin Parr/ Magnum Photos}

^{Daniel Gordon, Pineapple and Shadow, 2011; from Feast for the Eyes (Aperture, 2017). Courtesy the artist and James Fuentes Gallery, New York}

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