我希望顏色極其飽和、鮮艷，具有色相。但是又能極薄的在畫(huà)面上呈現(xiàn)。薄到可以看到布紋，看到第一遍在畫(huà)面上描繪出來(lái)的底色和草圖。
I hope the colors are extremely saturated, bright, and have a hue. But it can also be presented very thinly on the picture. Thin enough to see the fabric pattern and the background color and sketch depicted on the picture for the first time.
我常常在夢(mèng)里映射這些筆觸和念頭，在夢(mèng)里一次又一次在我的畫(huà)面里行走，走出來(lái)，走出去，仿佛在夢(mèng)里時(shí)也在涂抹顏色。那些讓我感覺(jué)到平滑柔和的基理和陰線(xiàn)陽(yáng)線(xiàn)復(fù)雜的陰陽(yáng)轉(zhuǎn)換關(guān)系。而那些平涂的顏色，能讓我的內(nèi)心有種穩(wěn)定的感覺(jué)， 這種穩(wěn)定的感覺(jué)，讓我的畫(huà)面能夠平靜下來(lái)。
I often reflect these strokes and thoughts in my dreams, walking through my images time and time again, coming out, and going in, as if I were also painting colors in my dreams. Those made me feel the smooth and soft foundation and the complex yin-yang conversion relationship between Yin and Yang lines. And those flat colors can give me a sense of stability in my heart, which calms down my visuals.
2020年開(kāi)始了《所有的花》的油畫(huà)作品創(chuàng)作，這是一個(gè)有關(guān)花的系列作品，延續(xù)了之前畫(huà)玉蘭花的這個(gè)階段對(duì)玉蘭花的描繪。
《所有的花》系列不限定某一種花，或者某一種類(lèi)別的花，它是對(duì)花總體的形態(tài)的概括?；ㄊ且环N特殊的東西，生長(zhǎng)開(kāi)放凋謝給人留下的印象總是如此的不同。花是花，花非花，花也不是花，歷代文人總是對(duì)它寄予的一種希望。
In 2020, the oil painting work "All Flowers" began, which is a series of works related to flowers, continuing the depiction of magnolia in the previous stage of painting magnolia.
The "All Flowers" series is not limited to a specific type of flower or a specific category of flowers, it is a summary of the overall form of flowers. Flowers are a special thing that always leaves a different impression when they grow, bloom, and wither. Flowers are flowers, flowers are not flowers. Throughout history, literati have always placed hope on them.
在揮寫(xiě)這組作品時(shí)，盡量放下對(duì)具體花種類(lèi)的分別，只是用色彩和筆觸盡興地畫(huà)出對(duì)它的感受，不拘泥于細(xì)節(jié)的完整，追求大意，抽意，不被具象和抽象概念束縛。讓顏色鮮活的對(duì)比起來(lái)，流動(dòng)起來(lái)，最終融為一體。
When writing this group of works, try to let go of the differences in specific flower types as much as possible, and only use colors and brushstrokes to delicately depict their feelings. Don't be limited to the completeness of details, pursue the main idea, draw inspiration, and not be bound by concrete and abstract concepts. Let the colors contrast vividly, flow, and ultimately blend together.
花的顏色在自然界中是最鮮亮的，正是因?yàn)轷r亮加上有花氣，所以人們格外愛(ài)花惜花?；ǖ拈_(kāi)放是為植物結(jié)果子做準(zhǔn)備的，所以花注定是一個(gè)結(jié)果的過(guò)度。沒(méi)有花就沒(méi)有果。無(wú)花果也不是沒(méi)有花。只是它被藏在果子開(kāi)放。
The color of flowers is the brightest in nature, and it is precisely because of their freshness and floral charm that people particularly love and cherish flowers. The opening of flowers is in preparation for plants to bear fruits, so flowers are destined to be an excessive fruiting process. Without flowers, there is no fruit. Fig are not without flowers. Only it is hidden in the fruit to open.
這些都構(gòu)成為我對(duì)花的理解和刻畫(huà)。畫(huà)的時(shí)候也只是注意大意，不被細(xì)節(jié)糾纏，讓一口氣從畫(huà)第一筆到最后都是通暢，可以自由呼吸的。
畫(huà)花的時(shí)候人是有點(diǎn)醉意的。畫(huà)完以后會(huì)有一種虛脫的感覺(jué)?；ㄩ_(kāi)花謝，似水流年，都是一種人生感悟。
These all constitute my understanding and characterization of flowers. When drawing, I only pay attention to the main idea and is not entangled in details, allowing one breath to flow freely from the first stroke to the end.
When drawing flowers, people are a bit tipsy. After painting, there will be a feeling of detachment. The blooming and fading of flowers, like the passage of time, are all an understanding of life.
經(jīng)過(guò)幾年的藝術(shù)實(shí)踐，特別是繪畫(huà)實(shí)踐，我從具象藝術(shù)和抽象藝術(shù)之間找到了一個(gè)新的連接點(diǎn)，這個(gè)連接點(diǎn)就是“抽意”，抽就是抽象的抽，意是意象的意，抽意解決了這個(gè)具象藝術(shù)和抽象藝術(shù)之間的一個(gè)過(guò)渡問(wèn)題。它讓繪畫(huà)更加自由，不會(huì)受到抽象和具象之間的這種分類(lèi)的控制和影響。
After several years of artistic practice, especially painting practice, I found a new connection point between Figurative art and Abstract art. This connection point is "abstract imagery", and Pumping is abstract pumping, meaning is the meaning of imagery. abstract imagery solves this transition problem between Figurative art and Abstract art. It makes painting more free and unaffected by the classification between abstract and figurative.
2023年新的油畫(huà)作品《看風(fēng)景的人》增加了抒情性，筆觸大開(kāi)大合，更加表達(dá)我對(duì)現(xiàn)實(shí)的這種崇敬之心，讓色彩更加豐富，筆觸更加符合形體的變化。在畫(huà)面處理上盡量讓它更加完美，具有時(shí)尚感。符合我對(duì)新風(fēng)景的認(rèn)識(shí)，然后在這種風(fēng)格里繼續(xù)往下走，深入下去，獲得更多的感悟。
The new oil painting work "The Sightseer" in 2023 has added lyricism, with a wide range of strokes that express my reverence for reality, making the colors more diverse and the strokes more in line with the changes in form. Try to make it more perfect and stylish in terms of image processing. In line with my understanding of new landscapes, then continue to move forward and delve deeper into this style to gain more insights.
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